Book Review by Bud Gundy
My friend Marion recommended this book, with the polite but unmistakable admonition to return it soon, and in good condition. When someone like Marion (a remarkable woman) loves a book so much that she must have it by her side whether or not she’s opened it in years, it gets my attention.
I read the book in a single day, the first time since I was a teenager that I’d been so absorbed by a story I finished it within 8 hours.
I’d been meaning to read The Naked Civil Servant for years. I had a vague idea who Quentin Crisp was, but only that he was some sort of early 20th century gay pioneer. In the 1990’s he made a series of controversial statements about gay people, dismissing calls for equality and insisting that homosexuality was an illness. Like many others, I put these comments aside as the remarks of an elderly man who didn’t understand the way new generations of gay people looked at the world. Men like Crisp were dinosaurs, the lumbering pioneers who had carried ideas forward but had collapsed with exhaustion and were no longer useful.
I was right, but only partially. There was much more to the story than that.
Crisp was born in 1908, and while he covers his early years with insight and wit (he declares that those who are thought witty are those who laugh and listen politely to others – an insight I’ll have to test) the story really takes flight when he moves to London.
By this time, Crisp has accepted that he is a homosexual and has decided to confront the world with his existence instead of shading himself in public, his head down. He slathers his face with make-up, styles his hair in dramatic waves and wears flowing, feminine fashions. He monitors every step, one foot precisely in front of the other (I experimented with this gait last night, and realized that it required a steady rocking of the hips).
Thus he sets out in 1930’s London, often drawing crowds of people who follow him hurling insults, catcalls and rocks. He is often attacked, and relates in a dispassionate voice the techniques he used to get out of trouble, when possible. Of course, it was often not possible. Several times he is beaten, he often fears for his life and danger is ever-present. His presence inside large buildings would often cause a tumult and shopping is an obstacle course of insults and rude clerks.
But still, he often finds work – in commercial art, publishing houses and even an engineering firm. This is no mean feat – his description of arriving for job interviews is a delight to read, but I suspect it wasn’t nearly as amusing to live the experience. Eventually he becomes a model for art students, a civil servant in his mind and thus the title.
Along comes World War II, and he is called in for his physical. I laughed out loud several times, the first being when a doctor told him with a hectoring voice meant to induce shame that he exhibited all the signs of sexual perversion. Crisp happily agrees, telling him upfront that he is a homosexual. This destroys the doctor’s authority, and he huddles with others to discuss what to do. The whole scene is delivered with witheringly precise descriptions of one absurdity after another.
His conflict with masculinity and femininity are interesting, but maddening, delivered in a voice of authority that in the end he lacked. I’d have to read the book at a slower pace to delve more deeply into what he meant by his somewhat contradictory approach to gender roles. He idealizes the feminine side of himself, and indeed with all homosexuals, but at the same time, he is fervently in awe of masculinity, assigning it the treasured word of “normal”. And he is by turns dismissive and protective of masculine gay men.
I admire his defiance of the world’s efforts to shame him, but years of being followed by screaming mobs and inspiring chaos wherever he went must have warped his mind. No human is capable of withstanding that sort of abuse without acquiring scars, but Crisp writes of his deepest disappointment with other gay people who criticized his open defiance of convention.
Is this the root of his amorphous contempt for gay people who seek equality ? For all of his courage, at heart he accepted that he was a lower form of life than straight people, so his defiance was based on acceptance of his status – the defiance of the scullery maid who resents the intrusion of a parlor maid. He’d love that comparison, probably. Or hate it.
In the end, Crisp walked with his head up, but didn’t dare look around, and while he was careful to place each foot just so, he was still watching every step.